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Photos from Rome

The gallery below contains various photographs from the Schola’s recent tour to Rome. All photographs by Paul Flanagan.

The London Oratory Schola at St Peter’s, The Vatican

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Photos: Paul Flanagan

Photographs of the Schola Cantorum of the London Oratory School singing Mass at St Peter’s, Rome, last Sunday (24 February 2013). The final photograph shows the boys in St Peter’s Square awaiting Pope Benedict’s final Angelus.

The Oratory Schola Concert at Sant’Ignazio, Rome

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Photo: Paul Flanagan

The recent concert at Sant’Ignazio, Rome given by the Schola Cantorum of the London Oratory School.

Lenten Musical Oratory sung by the Schola

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The London Oratory, Vespers, 1st Sunday of Lent

The Schola Cantorum of the London Oratory will be singing at a Lenten Musical Oratory tomorrow, Wednesday 27 February, in the Little Oratory at 6.30pm. The Service of Readings and Meditations will include Gregorian Chant and music by Monteverdi, Byrd and Morales.

Benedict XVI, the London Oratory and ‘musical evangelization’

Vatican RadioVatican Radio’s Emer McCarthy interviews Charles Cole during the London Oratory Schola’s recent tour to Rome (Reproduced from Vatican Radio with Audio links)

 Among the estimated 150 thousand people who spilled from St Peter’s Square out onto via della Conciliazione for Pope Benedict XVI’s last Angelus Sunday, were the burgundy blazers and caps of one of Britain’s most famous Catholic schools, represented by their equally world famous choir: The London Oratory Schola Cantorum.

“I offer a warm greeting to all the English-speaking visitors present for this Angelus prayer” said Pope Benedict, “especially the Schola Cantorum of the London Oratory School. I thank everyone for the many expressions of gratitude, affection and closeness in prayer which I have received in these days”.

The boys together with their director Charles Cole were fresh from singing at morning Mass in St Peter’s Basilica. They were invited by the regular choir for all non-papal liturgies in St Peter’s, the Capella Giulia, which is marking the 500th anniversary of its founding this year by inviting choirs from around the world to come and sing at the tomb of the Apostle.

At the end of Mass, to the joy of the congregation, both choirs, situated opposite each other in the two transepts of the Altar of the Chair, sung the sublime double-choir motet Adoramus te, Christe by the late renaissance Slovenian composer Jacob Handl.

It was just one of the many moving moments at St Peter’s this Sunday, but without doubt the excellence of the singing and the beauty of the liturgical music was of great spiritual benefit to the pilgrims who had flocked to Rome for this last appointment with Pope Benedict.

“I think the music of the Church has such an important role in developing and nourishing our faith and reinforcing things” says Charles Cole, Director of the London Oratory Schola Cantorum. He dropped by Vatican Radio to speak with Emer McCarthy about what he termed ‘musical evangelization’ and the great boost Benedict XVI’s pontificate has given to the current renaissance in Catholic liturgical music. Listen: RealAudioMP3 

“I think certainly in this day and age where frankly being a Catholic is very, very difficult when we have a constant stream from the media telling us that Catholic truths are off target and no longer in vogue, there are certain truths within the music that tells us, no we are not wrong, we are definitely doing the right thing and we need to keep at it”.

“I think the music is something very comforting, its our dialogue with God, it’s the way we relate to Him through the liturgy and for that to be something available to the boys through the choir is something of huge importance.”

“Under the pontificate of Benedict XVI there has been a particular focus on the relationship of the liturgy and music and this remarkable heritage and its grown to ever greater prominence. But it never really went away its always been there and its something that we simply need to keep alive and nurture, because frankly that music is so special, so unique for the Catholic Church…because its our music”.

“Music and the liturgy have been given a huge boost under his pontificate and that will last for a long time to come”.

Pope Benedict greets the Oratory Schola at his final Angelus

 

The Schola Cantorum of the London Oratory School was greeted by the Holy Father during his final Angelus yesterday in St Peter’s Square, attended by an estimated 150,000 people. The video above includes the whole address and the English section including his mention of the Schola is at 8:14. The Schola has just returned from a tour of Rome during which the choir sang Mass and Vespers at St. Peter’s Basilica.

Schola Concert at Sant’Ignazio, Rome, Friday 22 February

Sant'Ignazio FEH

The Schola Cantorum of the London Oratory School will be singing a concert at Sant’Ignazio on Friday 22 February at 9pm. The concert will last for approximately one hour and admission is free. The full programme is below:

FRIDAY 22 FEBRUARY 2013
SANT’IGNAZIO, ROME
CONCERT, 9PM
Schola Cantorum of the London Oratory School
Director, Charles Cole
Organist, David Terry

PROGRAMME
Cantate Domino
, Monteverdi (1567-1643)
Adoramus te, Christe, Monteverdi
Missa Brevis, Palestrina (1525-1594)
(Gloria, Agnus Dei I, Agnus Dei II)
Ave Maria, Parsons (c.1535-1572)
Exultate iusti, Viadana (1564-1645)
Organ – Allabreve in D (BWV589), J.S. Bach (1685-1750)
Ave Maria, Fauré (1845-1924)
Messe basse, Fauré
(Kyrie & Agnus Dei)
Organ – Lied (Op. 31), Vierne (1870-1937)
Ave Maria, Elgar (1857-1934)
Ave verum, Elgar
Missa Brevis in D (KV194), Mozart (1756-1791)
(Kyrie, Gloria, Agnus Dei)

Itlay (mini) Informazioni in Italiano

Schola sings Mass and Vespers at St Peter’s, Sunday 24 February

St Peter's dome int 2

Next Sunday (24 February) at St Peter’s, Rome, The Schola Cantorum of the London Oratory School will join the Basilica’s own choir, the Cappella Giulia, to sing Capitular Mass and Vespers. 2013 marks the 500th anniversary of the Cappella Giulia’s foundation and during the course of the year, this venerable choir will be joined by others from around the world to sing at St Peter’s. Next Sunday is the first such collaboration. At Mass, the Ordinary will be sung by both choirs and the Propers will be sung by the Cappella Giulia. The Motets, by Spanish renaissance composer Cristobal de Morales and the English Tudor composer William Byrd, will be sung by the Schola Cantorum. At the end of Mass, both choirs, situated opposite each other in the two transepts of the Altar of the Chair, will sing the sublime double-choir motet Adoramus te, Christe by the late renaissance Slovenian composer Jacob Handl.

At Vespers, the Hymn, Psalms and Magnificat will be sung to Gregorian Chant with polyphonic alternatims by Ingegneri, Cima and Lassus. At the close of Vespers, the Schola will sing Ave Maria by the English Tudor composer Robert Parsons. The full music list is as follows:

SUNDAY 24 FEBRUARY 2013, SECOND SUNDAY OF LENT
ALTAR OF THE CHAIR, ST PETER’S BASILICA, THE VATICAN
Cappella Giulia, Director, Revd. Pierre Paul O.M.V.
Schola Cantorum, Director, Charles Cole

MASS 1030
Before Mass: Miserere mei, William Byrd (1542/3-1623) [Schola]
Introit: Tibi dixit, Graduale Romanum [Cappella Giulia]
Kyrie XVII, Gregorian Chant [Cappella Giulia and Schola alternatim]
Psalm: Magna est, Gregorian Chant [Schola Cantor]
Credo IV, Gregorian Chant [Cappella Giulia and Schola alternatim]
Offertory: Peccantem me quotidie, Cristobal Morales (c.1500-1553) [Schola]
Sanctus XVII, Gregorian Chant [Cappella Giulia and Schola alternatim]
Agnus Dei XVII, Gregorian Chant [Cappella Giulia and Schola alternatim]
Communion: Visionem, Graduale Romanum [Cappella Giulia]
Civitas sancti tui, William Byrd [Schola]
Ave verum, William Byrd [Schola]
Recessional: Adoramus te, Christe, Jacob Handl (1550-1591) [Double Choir, Cappella Giulia and Schola]

VESPERS 1645
Hymn: Audi benigne conditor, Gregorian Chant/Marc’ Antonio Ingegneri (c.1545/50-1592) [Cappella Giulia and Schola alternatim]
Psalms: 109, 113, Gregorian Chant [Cappella Giulia and Schola alternatim]
Canticle: 1 Peter 2, Gregorian Chant/Fauxbourdon, Giovanni Paolo Cima (c.1570-1622) [Cappella Giulia and Schola alternatim]
Magnificat: Gregorian Chant/Magnificat Primi Toni (1567), Orlande de Lassus (1530/2-1594) [Cappella Giulia and Schola alternatim]
Recessional: Ave Maria, Robert Parsons (c.1530-1570) [Schola]

Itlay (mini) Informazioni in Italiano

New recording from the London Oratory

Matthew Martin Front Cover

Matthew Martin, Organist of the London Oratory, has recorded a new CD of organ music on the Oratory’s historic 1954 Walker/Downes organ. The CD, which is available from Amazon.co.uk, is the most recent addition to Priory’s Great European Organs series. It was recorded at the London Oratory during August 2012 and includes Gregorian chant alternatim verses in the Pange lingua by de Grigny. A full track listing is given below:

1. Magnificat primi toni BuxVW 203, Dieterich Buxtehude
2. Ach Herr, mich armen Sunder BuxVV 178, Dieterich Buxtehude
Antiphon: Regina caeli (4vs), Pieter Cornet
3. Regina caeli, laetare
4. Qui quem meruisti portare
5. Resurrexit, sicut dixit
6. Ora pro nobis Deum
7. Offertoire sur le Chant d’O filii et filae, Nicolas Lebegue
Hymn: Pange lingua (3vs)*, Nicolas de Grigny
8. En taille
 (vs 2 chant)
9. Fugue à 5
 (vs 4 chant)
10. Récit du chant de l’hymne precedent (vs 6 chant)
11. Te Deum, Jeanne Demessieux
12. Prélude sur l’introit de l’Epiphanie, Maurice Duruflé
13. Reges tharsis, Gaston Litaize
14. Épiphanie, Gaston Litaize
15. Paraphrase on Regina caeli, Guy Weitz
From l’Orgue Mystique, Charles Tournemire:
Office 48, All Saints:
16. Offertoire
Office 51, 23rd Sunday after Pentecost:
17. Fantaisie sur le Te Deum et Guirlandes Alleluiatiques

* with chant alternatim

Views of London from The Shard this evening

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Shard 1

Shard 5

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Photos taken on Wednesday 6 February 2013. Visit The Shard’s website here.